Tuesday, October 13, 2009

RIP Brendan Mullen


Sad to hear about the passing of Brendan Mullen yesterday, October 12, 2009.  The Los Angeles Times reported in today's obits that he suffered a massive stroke and died at Ventura County Medical Center. He was just 60 years old.

Brendan founded the underground punk rock club the Masque in Hollywood in 
August of 1977. The Masque was located at 1655 N. Cherokee Avenue, just south of Hollywood Boulevard. The entrance was from the alley behind the Hollywood Center Building on the SW corner of Cherokee and Hollywood.



The rear alley leading to the Masque entrance

Brendan and his underground club helped nurture the L.A. music scene that was brewing in the late 1970's.  Bands that played at the Masque included; the Weirdos, the Germs, the Dils, the Dickies, Screamers and X. The GoGo's had their first performance there June of 1978. 

The Masque was short lived. It was permanently shut down by the Los Angeles Fire Department in 1978. 



Brendan Mullen went on to promote many shows at other clubs in Los Angeles including Club Lingerie in Hollywood.

Brendan also wrote several books documenting the Los Angeles music scene of the late '70's. 

I met Brendan at a book signing and presentation he did for his book,  Live at the Masque, Nightmare in Punk Alley, (published in 2007). We had a nice chat. He was truly a gracious fellow and will be missed.









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Wednesday, September 9, 2009

Tropicana Motor Lodge

Tropicana Hotel and Motor Lodge
8585 Santa Monica Blvd.
West Hollywood

The Tropicana Motor Lodge was L.A.'s answer to the New York's Chelsea Hotel. It was gutter chic - bohemian cool. So very West Coast. It also had a great diner called Duke's. 

The GoGos at the Tropicana Motor Lodge (1979)

The 75-unit Tropicana Hotel and Motor Lodge was located at 8585 Santa Monica Boulevard in West Hollywood. This was an unincorporated section of L.A. County. It was located just south of the Sunset Strip and west of La Cienega Boulevard.

Welcome to the Hotel Tropicana
Anytime of year, you can find it here...


The Tropicana was built in the mid '40's. It was an attractive, horseshoe shaped, two-story, walk-up motor lodge. Located along U.S. Route 66 -  it was built with the automobile in mind.

There was an easy drive-up parking lot in front. The connected rooms had doors which faced the parking lot. There was an attached manager's office and attached diner later called  Duke's. (Duke's would later take on a whole life of it's own.)  

Kitchenettes
The Tropicana catered to guest needing short and  long-term stays. It offered  low weekly rates with kitchenettes.  

From the get-go, the Tropicana Motor Lodge served as temporary housing for those who could not afford an apartment and needed somewhere to stay. 

There were a variety of  rooms to choose from, each equipped with  in-room phones and TV. There were several private bungalows at the rear. 
 
A Bigger Splash

It also had a  attractive kidney shaped pool  David Hockney would be proud of.



The Tropicana Motor Lodge was inexpensive, easily accessible and  located on U.S.  Route 66  - a.k.a. the Mother Road - the major path for migrants going west from Chicago to L.A.



On the Road

During the Great Depression and after WW2 many sought a new life out west.

Route 66 -  
Route 66 was the first paved highway between Chicago and L.A. 



U.S. Route 66 connected rural America with urban America, traditional American with experimental America.

Along Route 66  sprung up mom and pop gas stations, cafes/diners and motor motels which catered to the automobile traveler.



The Tropicana was the only motor lodge along this strip of West Hollywood.

Barney's Beanery
8447 Santa Monica Boulevard
Barney's Beanery (founded in 1920) was one of those Route 66 way-stations. It was located about 2 1/2 blocks east of the Tropicana Motor Lodge in West Hollywood.  It continues to offer up a great bowl of hot chili, cold beer and pool tables.


Desperado
Motor courts often provided a haven for fugitives. The simple registration process provided guest a great amount of anonymity.  Catch Me If You Can con- man Frank Abagnale stayed at the Tropicana while evading law officers. 

However, the more typical guest at the Tropicana Motor Lodge were passing motorist, salesmen, drifters and migrants.



Location, Location, Location
The Tropicana was built on an up-sloping lot on the north side of Santa Monica Boulevard. Set back off the noisy corridor below- it offered a glimpse of the Hollywood Hills behind.




On the Boarder - Crossroads of Grit and Sublime

Santa Monica Boulevard - West Hollywood
Whereas the Sunset Strip was all glamorous and bright lights - Santa Monica Boulevard was gritty and dark. It was West Hollywood's neglected step sister. Train tracks down ran down the center.  Unregulated business operated out of reach of L.A.P.D.  - the County Sheriff seldom came by.  (Today this part of the route is called California State Route 2).



The Town and the City
Along Santa Monica Boulevard were hardware stores, feed stores, iron works, auto parts, auto painting, auto repair, auto wrecking, dry cleaners, bars, taverns, liquor stores, electronic repair, TV and radio repair, lumber yards, machine shops, storage buildings and warehouses.
Drivin' On Your Freeways...
1961 - 1967
Between 1961 and 1967, there was lots of talk about a new Beverly Hills Freeway being built. The proposed route would follow the the old railroad tracks along Santa Monica Boulevard between La Cienega and Doheny Drive.  The 10-lane freeway would cut a wide swath and take out most property along the way, including the Tropicana Motor Lodge. The State Division of Highways threatened emanate domain and bought property along the route.



The proposed freeway would cast a pall over Santa Monica Boulevard for much of the '60's. Consequently -  little repair and maintenance was done to the Tropicana Hotel and surrounding properties in anticipation of the freeway coming through. 

However, by the end of the decade - the freeway was never built.

1959 -60  City of Night 

Though on the fringe - the  Tropicana was in easy reach of  bebop jazz joints, coffee houses, avante garde art galleries, restaurants, cafes and underground theaters.  

 L.A.'s Restaurant Row along La Cienega Boulevard in Beverly Hills and West Hollywood.



The Subterraneans * 

At Sunset and La Cienega there was Gene Norman's Crescendo jazz joint with regular performers Chet Baker, Gerry Mulligan, Miles Davis, Louis Armstrong, Johnny Mathis and Duke Ellington, Shelley Berman, Mary Kaye Trio, Francis Faye, Billy Daniels, Count Basie, Dorothy Loudon and Dizzy Gillespie. 


 1958 novel by Jack Kerouac

Upstairs was the Interlude club, which showcased cutting edge comics such as Don Rickles, Mort Sahl, Rowan and Martin, and the more fringe comics such as Lenny Bruce, Woody Allen, Shecky Green and Red Foxx.
Frank Sennes reopened Ciro's restaurant-theater as well as the Moulin Rouge at 6230 Sunset Boulevard  (former Earl Carroll's theater). Husband/ wife teem Louis Prima and Keely Smith performed here as did Jerry Lewis as did Red Skelton. 
The Cloisters (formerly Macombo super club) had Tony Bennett, Bobby Darin,  and Della Reese, Ray Charles, Sarah Vaughan and Louis Prima

P.J.'s at 8151 Santa Monica Boulevard was a cool jazz joint.  

there was live folk music at the the Ash Grove at 8162 Melrose Avenue. 

Regular performers at the  Ambassador Hotel's Coconut Grove  included: Judy Garland, Johnny Mathis, Nat King Cole, Lena Horne, Pearle Bailey, Harry Bellafonte, Sheila MacRae, Paul Anka, Betty Johnson, Louis Primas and Keely Smith, Pat Boone and Sammy Davis Jr.

In November of 1960 Shelly Manne opened up a new saloon on Cahuenga Boulevard called Shelly's Manne Hole. He and his band would jam here on the weekend. Jimmy Rowles Trio played there regularly. 

1970 photo: William Reagh
Las Vegas $$$ Lures 
By the early 1960's, the Sunset Strip clubs were in trouble. The small clubs couldn't compete with Las Vegas.   The Las Vegas Fabulous Strip lured top acts away with higher salaries, larger and plusher auditoriums. 



L.A. Dodger Connection 
In 1962 the Tropicana Motor Lodge was owned by popular Dodger pitcher Sandy Koufax

L.A. Angels Come to Town
1963 - There's a New Kid In Town
In 1963 Gene Autry's Continental Hotel (1966 it became the Continental Hyatt) opened  at 8401 Sunset Boulevard.

Gene Autry was owner of the L.A. Angels. The Angeles were in L.A. from 1961 until 1966 - then they moved to Anaheim and renamed the California Angels. 

Gene Autry's Continental Hotel was new, attractive and much more glamourous than the Tropicana. It would later be the Continental Hyatt (Riot Hyatt). Today it is the upscale Andaz West Hollywood.


1966 photo: LAPL Herald-Examiner Collection

B - Residence for the B - Culture
The Tropicana Motor Lodge was worn and faded, old and and neglected -  another Hollywood castoff



'60's Jazz, Poetry, Mystics and Drugs

Warm beer and cold women

The Beat Hotel

In the '60's, the Tropicana Motor Lodge guest were an assortment of musicians, poets, mystics, artist, students, writers and jazz musicians. There were also B-actors, drunkards, drug dealers and bums. Surrounding the Tropicana lumed an underworld of drug-fuelled parties, bars, clubs and free love.

An Authentic L.A. Experience

However, the Tropicana Motor Lodge offered guest an authentic L.A. experience.



Long term guest often developed surrogate families amongst each other.  Long term guest decorated rooms any way they wanted. 


Beatnik Beat
Join the fun and don't be a square

Beatniks preferred to stay in fringe hotels with other beatnik types. They believed that gathering close together would ferment creativity

Late night socials and intellectural exchanges were part of the beatnik scene. 

Beatniks rejected traditional social and artistic forms.  Some beats were disillusions and often eccentric.  Part of the lifestyle involved promiscutity, casual drug use, wild parties and general detachment from life. They dabbeled in Eastern religions. 

They sought out intense experiences through drugs and alcohol. They believed some drugs would  produce flashes of insight. 


Beats used street speak in their poetry and writings.  They may have been  down-and-out - but they were full of conviction. 

Midnight Alleys Roam...

Search for Extreme and Intense Experiences 

There were plenty of liquor stores, dark alleys, street dealers, hustlers and bars nearby the Tropicana.

The Palms Cocktail Lounge - 8572 Santa Monica Boulevard

Monaco Liquor store - 8513 Santa Monica Boulevard

 Sunset Strip


1963-67  Supper Clubs Move Out - Teens Clubs Move In
In 1964, the Beatles and rocked the world and rock 'n' roll dominated the am radio dials. 
Teenagers couldn't get enough and spent money on records like never before.  They rolled into the Sunset Strip anxious to be where the action is.   

1966 photo: Ralph Crane Getty Images

From Beatniks to Hippies
In L.A. cool hipsters would hang out at coffee shops and music clubs on the Sunset Strip. These hangouts included; Ben Franks, Fred C. Dobb, the 5th Estate and Hamburger Hamlet, Pandora's Box and The Trip.

Live rock music and dancing was at the Whisky A Go Go, Gazzarri's, the Trip (formerly the Crescendo), Ciro's supper club became It's Boss.

Music Industry Shifts West
In the late 1960's, the center of the music industry shifted from New York to Los Angles. Big record labels at the time were Columbia, RCA, Decca, Capitol, and Warner Brothers/Reprise.

They began to target teenagers with large amounts of disposable income. 

1966 Elektra Signs the Doors

Elektra Records had started out as a folk label founded in 1950 by Jack Holzman in New York. Elektra had much success with Judy Collins
In 1962 Holzman opened a west coast office. He hired Paul Rothchild as a producer. 
In 1966 Elektra signed the Doors.



In 1967 Elektra built a state-of-the-art recording studio at 962 N. La Cienega Boulevard.





In 1967 Jac Holzman sold Elektra to Warner Brothers (Reprise), which had acquired Atlantic Records in 1967. One of Atlantic's major rock artist at this time was Led Zeppelin  (1968-1973).

Jim Morrison Square - Santa Monica and La Cienega Boulevards

Jim Morrison stayed at the Tropican Motor Lodge off and on until his death in July 1971.


Morrison also lived off and on at the Alta Cienega Motel Room #32  between 1968 and 1970. The Alta Cienega Motel is located at 1005 N. La Cienega Boulevard, just north of Santa Monica Boulevard.
Alta Cienega Motel


Jim's room would have looked out at La Cienega and the bowling alley at the NE corner of La Cienega and Santa Monica Boulevards.

Looking north on La Cienega Bl from Santa Monica Bl


The Doors office and rehersal studio was located at 8512 Santa Monica Boulevard (across the street from the Tropican Hotel).  Here they recorded L.A. Woman.

Doors office and rehersal studio at 8512 Santa Monica Blvd.


A plaque in front commemorates the former site of the Door's workshop
 

Since Jim's death, the site has had several owners and paint schemes. Now the site houses a Mexican restaurant. 


The Family Elektra

1966 - the Doors, Love,  Judy Collins, Tim Buckley, Paul Butterfield Blues Band
1967- to 1969 Elektra artists included; the Dillards, Love, Delaney & Bonney, Tom Paxton, Bread, Roxy Music, Tom Rush, Paul Butterfield, Nico and the Stooges.
 
1970 to 1971 Elektra artists included;  Stooges, Tim Buckley, Carly Simon, New Seekers, the Doors, Judy Collins and Harry Chapin.

Elektra merged with Asylum Records in 1972. 

Welcome to the Asylum - California Style
Asylum Records was founded in 1971 by David Geffen and Elliot Roberts
Asylum's roster of artist included the  John David Souther, Linda Rondstadt, Joni Mitchell, Glen Frey, Judy Collings, Laura Nyro, Crosby Stills, Nash and Young, Jackson Brown, Warren Zevon and the Eagles. Tom Waits signed to Asylum Records in 1972. In 1972 Asylum Records merged with Elektra Records which was them acquired by Warner Bros. 




The Tropicana Becomes Elektra -fied


Elketra's growing roster of artist frequently stayed at the Tropicana Motor Lodge.

Other early on rock 'n' roll guest included; Janis Joplin, Van Morrison, Bruce Springsteen, Edie Cockran, Martha and the Vandellas, Jim McGuinn of the Byrds, Alice Cooper and Frank Zappa. Play-write Sam Sheppard also stayed here. 

Motel money murder madness

After Jim died in September 1971 in Paris, Door's fans from all over made pilgramages to the Tropicana Motel to pay homage to the Lizard King. His death added to the auro of the place.

L.A. Woman
Cops in cars, the topless bars...

The location made it ideal for drug dealers and hustlers to set up shop. In 1968 a major police raid arrested 8 people at the Tropicana who were caught with a large quantity of drugs including opium, heroin and marijuana.


1970's Decadence
Like most urban areas, the '70's were hard on the the Tropicana.  The Tropicana Motor Lodge was starting to look as tortured and down trodden as it's guest. When something broke it was never fixed. Carpeting was seldom cleaned or replaced. 

Tropicana -  L.A. Woman Sunday Afternoon

In 1970, Elektra signed Iggy and the Stooges.  Iggy Pop was a fan of and inspired by Jim Morrison.

In 1970, Iggy stayed at the Tropicana while he recorded Fun House. To many, Iggy is considered the godfather of punk. He helped bridge the gap between rock and new wave/punk music. In 1973, he became friends with David Bowie and the New York art-house subculture through his Fun House producer and former Velvet Underground,  John Cale

Iggy developed a cult following of his own.



Elektra had a state-of -the-art recording studio located around the corner on La Cienega. Also staying at the Tropicana was John Cale (signed to Elektra) and members of the Eagles. 




1972 Seedy Characters in Seedy Places

Rooms at the Tropicana were filled  with avant-garde poets and artist,  beat writers such as Alan Gingsberg (Jack Kerouac friend) and counter culture enthusiast. There were those attracted to the American low-life, freaks and castoffs.

Ed Sanders stayed there while doing research his book about events leading up to the Tate-LaBianca murders called The Family



Andy Warhol and Paul Morrissey stayed here while making his movie 'Heat'.  The Tropicana made the perfect backdrop for this parady of the film  Sunset Boulevard.  This was where a fading mediocre B-movie actress held out at. 



1972 Chelsea Hotel West  
Another Lost Angel  - City of Night

The same type folk that stayed at the Chelsea Hotel in New York would stay at the Tropicana Motor Lodge while in L.A.  The Tropicana was the place for the up-and-coming and the down-and-outers

Edgy Cool
The Tropicana was popular with musicians, beat poets and writers, avante garde artist and counter culture. It accommodated both overnight and long-term guest. At the Tropicana, some guest kept their doors open all the time. Some doors were never open. 


The lobby filled up with cartoons and photos of patrons and the staff.  

1971  L.A. Singer/Songwriter and the Cocaine Cowboy 
Let's change the mood from glad to sadness

L.A.'s Merry Pranksters *
A group of singer/songers emerged with a laid back California country rock sound. This group included Glenn Frey, J.D. Souther, Jackson Browne and Linda Rondstadt. All were to sign with David Geffin's newly formed Asylum Records.  Several resided in hip Laurel Canyon. 

Asylum Records singer/songwriters Warren Zevon. lived off and on at the Tropicana Hotel in the mid '70's and wrote about the L.A. street life. He was friends with Pre-Fleetwood Mac Lindsey Buckingham and Stevie Nicks who also lived at the Tropicana.  They helped reinvent the L.A. sound

Tom Waits was another local balladeer writing about life's under belly.  Waits would develop a cult following of this own. Waits was on Electra.

These folk played Monday nights at the Troubadour at 9081 Santa Monica Boulevard.



Hangers-On

Nighthawks at the Diner/Small Change/Foreign Affair
In 1976 Chuck E. Weiss, and Tom Waits moved in and stayed for years. He lived in a bungalow at the rear of the property and had his piano in the kitchen.

Gal pal Rickie Lee Jones moved to L.A. and was a regular there as well. This group preffered performing in small clubs such as the nearby Troubadour. While staying at the Tropicana in 1978 Jones wrote Chuck E.'s in Love' .

Tom Wait's Nighthawks at the Diner (1975)

Tom Waits and friends Warren Zevon, Chuck E. Weiss and Rickie Lee Jones all were heavy drug and alcohol users.  All were signed to Asylum Records. All played down the street at the Troubadour and resided at the the Tropicana.

Dan Hicks and the Hot Licks had moved into the Tropicana Motor Lodge. They would play regularly at the Troubadour. 

In April of 1972 members of Dan Hicks and the Hot Licks were arrested at the Tropicana for possession of marijuana. He lived here until 1974. 

These singer/song writers were familiar with the Beat Generation. They had read Jack Kerouac, Allen Ginsberg, William S. Burroughs,  John Clellon Holmes and all the early Beats.  

Rock 'n' Roll Incorporated 

1974 - Elektra/Asylum/Reprise/Atlantic/Warner 

In 1974 the West Coast became the center of the recording industry with the merger of Elektra/Asylum/Atlantic/Warner /Reprise.

Music Industry Money Lure 
Singer/songer writers, once critics of materialism and excesses, became victims of material excess. The music business was at it's most decacent level yet, with all the trappings of success. 

1980 photo: Roy Hankey

The most successful band would stay at the upscale Continental Hyatt, Beverly Hilton or the  Chateau Marmont. 
Hyatt


Hilton

Chateau Marmont



This was when rock 'n' roll went corporate. Rock bands were a commodity to be packaged and sold. Big money, big arena, big record sales, big billboards, big profits, big egos, big cars, big mansions, big parties, big drugs, big toys and big profits. It's not personal... just business.  

Aspiring musician of all stripes would flock to the Tropicana hoping to rub elbows with record industry big wigs.


DUKES Coffee Shop



In 1969 Dukes Coffee shop opened at the Tropicana. Duke's popularity would take on a whole life of it's own. Dukes had the best breakfast in town.



It was known for it's delicious top grade Lingle Brother's coffee served with real cream and free refills. It became a very popular eating place. The food was delicious and the atmosphere was friendly. Dukes was long and narrow, with long rows of wooden tables which customers shared family style. There was also a lunch counter. 


David Hockney, Nighthawks (1942)

On the walls hung cartoons and photos of patrons and staff. It was always crowded and loud with laughter. 
Dukes was known to have the best breakfast in town. It was an egg lovers paradise.  There were 67 variations of eggs and omelets.  For breakfast It offered a huge selection of omletes served with the best hometown fries.  There were 23 breakfast built around the fried, poached and boiled eggs. There was also blintzes, hot cakes with apples, blueberries or bananas, oatmeal and thick French toast. There was thick slices of bacon or ham. The orange juice was fresh and big bowls of fresh fruit. (L.A. Times, July 1982)


Duke's Power Breakfast/Lunch
Dukes became a favorite breakfast place for musicians, publishers, studio executives, actors, agents and artist to meet and do business. 



Duke's featured 18 kinds of burgers, most were half pound of choice beef. The owner was Duke Stone. The most popular hamburger were the Spanish-style Burger for $2.85 and the Italian style Burger for $3.25.  Most hamburgers came with fires and coleslaw. Duke's father would take daily trips downtown to the Produce Mart early in the morning. 

Tropicana's New Wave of Moody Street Irregulars
1975 - 79 

In the late 1970's, recording studios prolifereated Hollywood and the record industry was beseiged by song writers, musicians, promoters and groupies.

The Tropicana bridged the gap between the outcast poets, singer songwriter era and the new age of punk.

Gutter Glamour
Low, evil decadence.

The Tropicana fit the image of what a rock star was suppose to took like - gritty and street wise.

The lobby walls had photos of all the famous people who had stayed there such as: 
The Ramones, Patti Smith, Television,  Blondie, Iggy Pop and the Stooges, the Sex Pistols, the Cramps and the Clash. Also here was Gary Myrick, Elvis Costello, Siouxsie and the Banchees, the Dead boys, the Dickies  and the Plasmatics. 


Groupie Hang-out
Teenagers from all over would hang out at the Tropicana and Dukes hoping to get a glimpse of there favorite rock star. The Tropicana and Dukes were a groupie haven. There were always kids hanging around. There were parties that would spill out onto Santa Monica Boulevard. 

The End - beautiful friend
The Tropicana Motor Lodge closed down in 1986. 
In 1988 it was replaced with a 178 room Ramada Inn and retail complex.

Former site of the Tropicana Motor Lodge


Dukes closed down in 1986. It moved to a new location next door to the Whisky A Go Go.



Looking northwest from Santa Monica Blvd. toward La Cienega Blvd.


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Wednesday, August 5, 2009

1985 January - Rock in Rio

January 11 - 20,  1985
Rock in Rio Festival
Rio de Janeiro, Brazil


The Go-Go's played at the  Rock in Rio Festival in Rio de Janeiro, Brazil. The festival was held January 11 through 20th 1985. The Go-Go's played on two days (January 13th & 18th, 1985).



The rock festival was organized by entrepreneur Roberto Medina and was the largest rock festival in the world. Headliners each occupied top spots for two nights. About 1.4 million people attended the 10-day long festival. 

The shows were broadcast throughout South America by Globo. Each show was watched by nearly 200 million people in 60 countries. It was later broadcasted in the United States on MTV as Queen: Rock in Rio


 The whole festival was recorded for broadcast throughout South America.  Queen was the only band to obtain rights to release their performance on video - released in May 1985. 

Headliners for the music festival included Queen, George Benson, James Taylor, Rod Stewart AC/DC and Yes. The festival was heavy in showcasing heavy metal and hair bands such as Iron Maiden, Whitesnake and Scorpions. 

Queen was the highest paid act, getting $600,000 for its two headlining performances.

About 1.4 million people attended the 10 day long festival. 
The Go-Go's played two nights -   
  • Sunday, January 13, 1985
  • Friday, January 18 1985

The Gazette, Montreal, Que
January 10, 1985
Rio Rock Festival Expected to Draw 1.5 million

Excerpt from article:
Some 1.5 million fans from Latin America, Asia, Europe and the United States are expected to attend what is being touted as the biggest rock festival the music world has ever seen.

With comparisons to the 1969 Woodstock festival and ads proclaiming 'peace and love', the event is a highly organized business venture designed to attract foreign investment. 

The acts are a mix of musical styles, ranging from heavy metal rockers as Ozzy Obourne and Iron Maiden to jazz stylist Al Jarreau and George Benson to New Wave groups such as the Go-Go's and the B-52's. 

The $11 million project was completed in 4 1/2 months. The City of rock has 32 stores selling everything from jeans to spaghetti, two beer gardens, 420 toilets, an emergency hospital and fountains for fans to cool off. There also are outdoor parking lots for 33,000 cars.  
However - all was not good in GoGo-land.



Blame it on Rio
While in Rio, things continued to unravel for the GoGo's.

Rio turned into 10 days of partying and all- round destructive behavior. Drug addiction was taking it's toll on the band. For years Charlotte struggled with heroin.  Somehow she managed to get kicked out of Ozzy Osborne's dressing room. Belinda was also on a dangerous downward spiral of substance abuse. 

All in the band were on edge.  It wouldn't be long 'til all would go tumbling down.


Personal conflicts and egos continued to tear band members apart.  At the end of the day ... the band-mates did not like or speak to one another. It was clear their hearts were just not into it anymore. 





Schedule of Performers - Rock in Rio (1985)

11 January, 1985
Friday  
150 million viewers
Ney Matogrosso
Erasmo Carlos
Baby consuelo e Pepeu Gomes
Whitesnake
Iron Maiden
Queen
12 January 1985
Saturday
250 million viewers
Ivan Lins
Elba Ramalho
Gilberto Gil
Al Jarreau
James Taylor
George Benson
13 January 1985
Sunday
90 million viewers
Os Paralamas do Sucesso
Lulu Santos
Blitz
Nina Hagen
the Go-Go's
Rod Stewart
14 January 1985
Monday
30 million viewers
Moraes Moreira
Alceu Valenca
George Benson
James Taylor
15 January  1985
Tuesday
50 million viewers
Kid Abelha & Os Aboboras
Selvagens
Eduardo Disel
Barao Vermelho
Scorpions
AC/DC
16 January 1985
Wednesday
40 million viewers
Os Paralamas do Sucesso
Moraes Moreira
Rita Lee
Ozzy Osbourne
Rod Stewart
17 January 1985
Thursday
20 million viewers
Alceu Valenca
Elba Ramalho
Al Jarreau
Yes
18 January 1985
Friday
250 million viewers
Kid Abelha & Os Aboboras
Selvagens
Eduardo Dusek
Lulu Santos
the B-52's
the Go-Go's
Queen
19 January 1985
Saturday
250 million viewers
Baby Consuelo e Pepeu Gomes
Whitesnake
Ozzy Osbourne
Scorpions
AC/DC
20 January 1985
Sunday
200 million viewers
Erasmo Carlos
Barao Vermelho
Gilbert Gil
Blitz
Nina Hagen
the B-52's
Yes


Other Rock in Rio Festivals were held in: 
Rio de Janeiro
  • 1991
  • 2001
Lisbon
  • 2004
  • 2006
  • 2008 (and Madrid)
1985
note: What people are listening to on the radio January - April 1985.

Top Ten Singles 
January 1985
1. "Like A Virgin," Madonna
2. "All I Need," Jack Wagner
3. "You're The Inspiration," Chicago
4. "The Wild Boys," Duran Duran
5. "Run To You," Bryan Adams
6. "I Want To Know What Love Is," Foreigner
7. "We Belong," Pat Benatar
8. "Easy Lover," Philip Bailey & Phil Collins
9. "Sea Of Love," Honeydrippers
10. "Born In The U.S.A.," Bruce Springsteen

February 1985
1. "Careless Whisper," Wham!
2. "I Want To Know What Love Is," Foreigner
3. "Easy Lover," Philip Bailey & Phil Collins
4. "Loverboy," Billy Ocean
5. "Method Of Modern Love," Hall & Oates
6. "Neutron Dance," Pointer Sisters
7. "The Boys Of Summer," Don Henley
8. "The Heat Is On," Glenn Frey
9. "You're The Inspiration," Chicago
10. "Can't Fight This Feeling," REO Speedwagon

March 1985
1. "Can't Fight This Feeling," REO Speedwagon
2. "The Heat Is On," Glenn Frey
3. "Material Girl," Madonna
4. "Too Late For Goodbyes," Julian Lennon
5. "Careless Whisper," Wham!
6. "California Girls," David Lee Roth
7. "One More Night," Phil Collins
8. "Lovergirl," Teena Marie
9. "Private Dancer," Tina Turner
10. "Neutron Dance," Pointer Sisters

April 1985
1. "We Are The World," USA For Africa
2. "Crazy For You," Madonna
3. "One More Night," Phil Collins
4. "Nightshift," Commodores
5. "Rhythm Of The Night," DeBarge
6. "I'm On Fire," Bruce Springsteen
7. "Obsession," Animotion
8. "Material Girl," Madonna
9. "Don't You (Forget About Me)," Simple Minds
10. "One Night In Bangkok," Murray Head
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Thursday, May 21, 2009

1984


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Wednesday, May 20, 2009

1984 February


1984 February

Home Again!

February of 1984, the girls were back in Los Angeles. Things were starting to look up.  They were just back from recording their 3rd LP. All were looking forward to it's release next month and to hitting the road on a spring tour. 

All had high hopes 1984 would turn out better than 1983. 
1983 was a tough year. It brought a lots of tension to the band. 


1983 and the Post Vacation Blues
  • Vacation LP - disappointing sales
  • Critics being critical
  • Charlotte's wrist ailments
  • Charlotte's writing block
  • Boy friend problems
  • Belinda new interest in movie projects (Swing Shift)
  • Lack of income
  • Endless meetings with prospective managers 
  • Endless search for a fresh new producer
  • Loss of momentum
  • Loss of confidence
  • Band Identity Crisis 
  • The whole Airhead - Dizzy- Broad image thing to shake
The Go-Go's were able to spend some time with family and friends and their homes. 
  • Marina del Rey
  • Malibu
  • Studio City
  • West Hollywood
  • Los Feliz
The following photos by me me me.....

Belinda had a condo in Marina del Rey













Jane lived in Malibu











Gina had a home in Studio City




r.i.p.








Kathy had a condo in West Hollywood










Charlotte had a home in Los Feliz












Not her house



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Monday, May 18, 2009

1984 March Talk

Write-ups, reviews and mentions
  • March 18, 1984 - Los Angeles Times
  • March 22, 1984 - Toronto Globe and Mail

TV Appearances
  • March 28, 1984  Cinemax Album Flash
1984 Music - R.I.P Punk, Hello POP

March 18, 1984
Los Angeles Times write-up
The Go-Go's- At that Awkward Age 
Talk Show review



Excerpt from the Los Angeles Times article
The Go-Go's are growing up.
After defining the teen-age experience in its first two albums - rock's premier girl-group finds itself on the edge of adulthood.It's an awkward age, and the Go-Go's third go round tries to capture its emotional textures. The result is an awkward album. But it's a stage the firls have to go through. Otherwise, they start recycling the familiar teen dreams -a  dead end in the long run. 

The major change is the disappearance of the pop hooks that made the Go-Go's debut so ingratiating. Those hooks didn't come so easy on last year's 'Vacation' and they've now been jettisoned altogether. Martin Rushent has replaced Richard Gottehrer as producer, and he muscles aside the effervescence of the Go-Go's sock-hop pop with a tougher instrumental attack. 

It's still basic L.A. power - pop with chiming guitars, throbbing undercurrents, oo-la-la-la backing choruses and snappy beats, but in rocking harder the Go-Go's move up to a Plimsouls energy level- especially on the soul-tinged garage-rocker 'I'm the Only One' Without the hooks, though, the songs demand more work from the listener, and the elaborate melodies certainly demand more of singer Belinda Carlisle. 
March 22, 1984
The Globe and Mail (Toronto, Ont)
Inside the Sleeve Pop  
By Liam Lace
The GoGo's big sound change - courtesy of Martin Rushent, the would-be Phil Spector of English rock - is the first striking thing about this record. It's a big fat sound, with overlapping harmonies, slapping percussion and oodles of professional authority.

Old GoGo's fans will miss the rag-doll, found-art ineptness of the band's previous albums, but it has to be considered a positive step that Belinda Carlisle sounds as though she's learned to sing in tune. 
March 28, 1984
Cinemax 
Album Flash: The Go-Go's 
Taped at VSP Studios in Hollywood



Each of the GoGo's is interviewed individually at home.  They discuss their personal history with the band as well as the making of Talk Show LP. Interviews are intermixed with them in the studio playing several songs from Talk Show LP













By early 1984 the music pendulum had swung again, this time from punk to pop. Music now was 
sunny with an upbeat emphasis. No more weighty themes of the '60's music or punk aggression and attitude from the late 1970's early '80's. 

Music of 1984 was pure pop music and fun yet artistically more sophisticated. There was a melding of rock and disco. 

Early 1984 radio play include: 
Cyndi Lauper's Girls Just want to have Fun
Pointer Sisters Automatic
Queen Radio Ga Ga
Wham Wake Me Up Before You Go Go
Dwight Twilley's Girls
Lionel Richie Hello
Culture Club's Karma Chameleon
Kenny Loggins Footloose
The Go-Go's Head Over Heels
Van Halen's Jump
Michael Jackson
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Saturday, May 16, 2009

1984 March Madness

In March of 1984, the GoGo's were back at their Los Angeles rehearsal studio getting ready for an upcoming tour. Things were looking up.




However - Gina recalled that while in England she found herself often getting sick and tired.   So she made it point to see a doctor once she was back in the States. 
  • Gina's Heart Skips a Beat
  • Palm Springs Weekend
Bean brought down by a broken heart
During the exam Gina's doctor detected a heart murmur. One side of her heart was stronger than the other. So he strapped electrodes to her chest with a tape recorder to monitor her heatbeat.

Photo by Lynn Goldsmith Philadelphia PA

Gina recalls that two days later -while at rehearsal, she got a phone call from her doctor. He wanted her to come in to the office to discuss the results. Gina, historically the hypochondriac, knew something was wrong right away. She started to cry.  The girls were very concerned about her.  They all drove with her over to Cedars Sinai get the test results and lend support.




Doctors determined that she had a hole in her heart the size of a marble.  It was a congenital birth defect called an atrial septal defect. The disease had caused the left side of her heart to swell to twice the size of the right side. 




She was told it would be best to have surgery as soon as possible. It she waited too long the effects would be irreparable and possibly life threatening.  Lucky for her she was in great physical shape from years of drumming. 



However, upon hearing the news, Gina started to break down and cry. The others were hysterical. She decided to have the operation as soon as possible. (10 days later)

Palm Springs Weekend
The day after Gina got the prognosis,  the girls rented a Cadillac Eldorado convertible and a Jaguar XJS and wisked her off the Palm Springs




They thought she needed some cheering up and they wanted to help her take her mind off the impending surgery. 




They brought all the drugs and booze they could muster up out to the desert. In their convertables they cruised around the desert, drank margaritas, went to the spa and to the discos.  But they did admit they toned down the partying a bit since they were worried about Gina's heart. 














Ten days out of the diagnosis, Gina Schock went into the operating room.






At the end of  March, with family and friends around her -  
...the surgeons pulled her rib cage apart and her heart out of her body so they could sew up the hole. A plastic surgeon close it so the scar would be minimal with time.(Boston Globe article by Steve Morse)

Gina spent the next several weeks at home recovering.  The Go-Go's put off their tour for three months to let Gina recover completely. The U.S. tour was now set to start in June in Detroit
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